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No Time to Sleep - 30 Days Til World EXPO

Posted byAngela Heiple
  

Skeptics are saying that the pavilions won't be ready for their May 1st debut at the World EXPO in Shanghai.  But if you take a close look at this photo taken just a couple weeks ago... you'll see that builders are wasting no time.  Catching catnaps right onsite.  I've heard from colleagues that crews are working around the clock.  30 days and counting...

 

Meanwhile, check out more stunning photos of these "works in progress" at World EXPO 2010 onsite photos.

 

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Every time i see this i smile

Posted byElijah B'Sheart
 saw this a while ago. still love it!
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Welcome to the future

Posted byElijah B'Sheart
The N building’s whole facade is part of the AR experience, enabling people passing by to  see inside, who lives there, what store specials are, who is tweeting. The building is an impressive example of the real and the virtual worlds coming together in a simple clean design. No, more bombarding of information, viewer is given the choice to explore or ignore. Fabulous!
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YesYesNo

Posted byElijah B'Sheart
A little bit of technology and magic. A whole bunch of fun.  YesYesNo has the spirt of collaboration and passion that is enviable.

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2D in a 3D world.

Posted byElijah B'Sheart
 This introduction of the Fiat 500 is a fantastic example of story telling in a fun and engaging way


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Design In Motion At VW Factory

Posted byMatt Hubbard
Check out this VW Factory.  Amazing!
 
 
 
 

Great Q&A With Marc Gobe, Founder of Emotional Branding Consultancy

Posted byMatt Hubbard

Marc Gobe is a man on the go.

A creator of brand images, Gobé has traveled to more than 15 cities worldwide since forming Emotional Branding consultancy 18 months ago, including São Paulo, Brazil, Lima, Peru, Paris, Moscow, Istanbul, Shanghai, Tokyo, Seoul and Vancouver. He is convinced the key to meaningful marketing in the next decade is on the Internet and in urban areas that are expected to be home to 70 percent of the world’s population by 2050, or about 6.4 billion people.

 

Gobé believes commercial branding — like bus wraps, banners and billboards — is becoming too visually dominant in urban settings. Los Angeles, Santa Monica, Calif., and São Paulo have sought to curtail billboards that violate municipal regulations. They are “a sign of our cultural excess,” Gobé said. “From a commercial aspect, brands really thought they could dominate and own our lives. I am against anything that can make brands look bad, vis-à-vis consumers.”

 

WWD: How do you see marketing changing as we move further into the Great Recession?

Marc Gobé: What I see is a six- to 10-year span of lower spending. After the Baby Boom generation of 70-some million people, who supported the economy, we have a Generation X of only 47 million people. The Y generation is still too young to have [as big] an impact on the economy. So there is a gap of 30 million people.

WWD: The Baby Boomers?

M.G.: The Baby Boomers. The marketing of the past — dreams were reachable by anybody — those dreams have to be reviewed in the context of people’s reality. Some of those dreams will create resentment or prudence. When the car industry claims to create an American revolution and cannot deliver, it is not making the consumer feel good about brands. People are less inclined to define themselves through brands. They will look at brands with a certain dose of incredulity.

WWD: Are marketing campaigns addressing these changes?

M.G.: Businesses are emerging that are almost under the radar. They don’t spend much on advertising. They’re built on word of mouth. They have relationships, with a community of customers, that will not be visible anywhere but online. Zappos.com is a young company and it does more than $1 billion in its business in shoes, fashion, accessories. They have a map of the United States where you can see in real time what people are buying and where. You can see somebody’s buying that shoe in Boston. Boom! And there’s another shoe being bought in Las Vegas. Boom!

WWD: How is the world of advertising adapting?

M.G.: I’ve been focusing mostly on social media. I’m interested to see how brands do or do not have a place in social media. Twitter has become a huge tool for small businesses. On Facebook, two people [Dusty Sorg and Michael Jedrzejewski] created a page about Coca-Cola that attracted 3.4 million people — something Coca-Cola couldn’t do themselves, with their hundreds of millions of dollars. There are 170 million people on Facebook. What does that mean? We have to listen to people. How do people prefer to communicate? (Coke invited Sorg and Jedrzejewski to Atlanta and collaborated on the brand’s Facebook fan page.)

WWD: Do you have a Facebook page?

M.G.: Yes, I have two Facebook pages. It is impossible not to look at your business and understand the relevance of this and how it can teach you how to communicate better.

WWD: Which is the essence of the Internet.

M.G.: The essence of the Internet can be articulated around one word: sharing. Anything that goes on in social media is only interesting because it can be shared. It should be a mantra for any brand.

WWD: Four months into President Obama’s term, how do you think people’s hopes and dreams have been influenced by the new administration?

M.G.: The impact has been made. When you know what was, the fact that today we have a black president in the United States says a lot about how great this country is. There is something that can change dramatically.

We are living in an era of monopolies. If you take Main Street in Westport, Conn., where I live, there were 50 stores, all different. Now you have six chains. That’s it. Our ability to experience new things, to discover, was controlled and limited….The Internet is blowing this thing away. We are entering into a consumer democracy. People who decided what people needed to consume are suddenly finding they have to listen to the things people want to consume.

WWD: Since forming your Emotional Branding business you’ve been focusing on cities. What inspired you to go that route?

M.G.: Half of the [world’s] population lives in urban environments. Most people are gravitating towards cities. I think 150,000 people a day are moving into cities. What kind of roles are brands going to play in this concentration of people?

In large cities where large percentages of the population are below survival level — when people have $30 to live a month — they’re still consuming goods. What do you do when people don’t necessarily have televisions, but they do have cell phones?

WWD: You visited recently with the mayor of Santa Monica. Did anything come out of that meeting?

M.G.: Santa Monica was about to control the amount of billboards and outdoor media that they wanted in the city, which was something Los Angeles was not successful at. This is a recession. Excess has affected brands. People care more about the environment in which they live. Consumers care more about the way they want to be communicated to. A lot of brands have not understood that.

WWD: Brands haven’t understood this?

M.G.: No. There was a huge billboard on the full side of a building in Los Angeles. It was a promotion for “Dr. Phil.” A group of citizens in Los Angeles went directly to Dr. Phil and said “Did you realize everybody hates you because of this, at least in our neighborhood?” And it was down the next day.

WWD: Given the onslaught by brands in cities, visual pollution, do you see any response being mounted by cities because people are turned off, or is it such a revenue stream that this is not likely?

M.G.: The cities don’t make much money from this. If billboard advertisers put up 15 illegal billboards in Los Angeles, they would tell the city, “Sue us.” The fine is like $1,500 a month, for a billboard that runs a couple of hundred thousand dollars a month, so they feel it is worth it.

Just the fact that that medium is considered despicable by people — brands need to know that. It is clear that people don’t want to have brands forced on them. Now there’s an Internet and now people want to have a discussion.

WWD: At a dinner party last year, the hostess mentioned most of the guests knew each other beforehand because they met online.

M.G.: The hardest thing for brands is going to be this transparency. Some aren’t going to survive. It’s going to be a huge change. Urbanization changed lifestyles. Lifestyles are completely redefined in urban environments, because you have a greater freedom and less pressure from the outside. In 2050 [urbanites] are going to be 70 percent of the population.

 
 

Branding for the Senses

Posted byBill Blatt
 
On Wednesday, Mike Rosenau and Jerry Deeney of Studio Creative had a unique opportunity to present to an audience of about 100 Pepsico Global Communications Team members.  The subject, as requested by Pepsico, was “the role of visual identity in events.” 
 
Knowing full well that there’s “more than meets the eye” when it comes to branding, we chose not to limit the presentation to visual considerations.  Instead, the theme was “Making Sense of Visual Identity: How to Use Your Five Senses to Bring Your Messages to Life.”  We looked at each of the five senses individually, offering case studies and practical tips that the audience could take away and put to immediate use.  We also  theorized that there’s a sixth sense in branding – and no, it has nothing to do with seeing dead people.  It’s about having a sense of consistency throughout every aspect of your live communications. 
 
Part of the program involved challenging the audience to answer a few thought-provoking questions about sensory branding.  One question we asked was, “Which of the five senses has the most powerful influence on the human memory?”  I don’t know that it’s been scientifically proven, but according to our research, “smell” seemed to take the prize.
 
Have you ever smelled something that instantly conjured up vibrant, emotional memories?  For me, the scent of secondhand cigarette smoke mingled with a warm summer breeze never fails to transport me right back to the Little League baseball field.  I can see myself standing there in a big, blue batting helmet and hear the chant from the field: “Eh, batter, eh, batter, eh, batter, SWING!”  
 
This phenomenon is called involuntary memory, or “Proustian memory” after Marcel Proust, who frequently wrote about it in his novels.  In one famous instance, the taste of a madeleine cake soaked in lime-blossom tea causes a vivid scene from the narrator’s childhood to suddenly rise up before him “like a stage set.”  Along with the memory come warm feelings that free him from his worldly concerns.
 
Scientists say that seventy-five percent of what we perceive as taste actually comes from our sense of smell,  so I think it’s safe to assume that Proust’s nose played a role in the madeleine experience.  But, how is it that smell can make this happen?  
 
I’m no biologist, but what I’ve read is that the 10 million-or-so receptor cells in our nasal passages interpret smells, then forward the message to the 50-some thousand cells in the olfactory bulb.  The olfactory bulb acts as a “smell amplifier,” sending boosted scent signals to two places in the brain.  One of those places is the limbic area, which deals with emotion, behavior and long-term memory in addition to olfaction.
 
This raises some interesting questions when you consider that most live communications seek to motivate consumers primarily through imagery, sound and texture.  Are we underutilizing the one sense that offers a direct line of communication to the very things we want to influence– emotion, behavior and memory?  Could the right smell help a consumer feel emotion for a brand, affect their shopping behavior and help them remember a certain brand when they’re ready to buy?  Conversely, could the wrong smell turn them off? 
 
If nothing else, when your ideas for sight, sound and touch run dry in your next brainstorm, it might make sense to try thinking with your nose for a change. 
 
 

‘playing the building’

Posted byElijah B'Sheart
‘playing the building’ is an installation created by david byrne a small organ sits in the massive building, with wires spawning from the back. touching the keys willnot play the note you expect to hear, but rather play the building. the wires are sending signals to a variety of mechanisms, which vibrate columns, radiators and beams in the building. The best part is anyone can play with equal skill. Byrne calls it the democratization of music.
 
 

Vertical Eco Farm - Las Vegas Goes Green

Posted byLaura DeMeulemeester
 
 
Vertical Eco Farm - Las Vegas 30 Storey Garden
 
The world's first vertical eco farm will be in Las Vegas, a $200 million project expected to open in 2010. 

 

According to TrendHunter, the developers expect it will serve as another tourist destination, and that it will grow enough crops to feed 72,000 people for a year. It will grow around 100 different kinds of crops including fruits and vegetables, with ideal growing conditions created in individual tower sectors.

 

“The World currently uses about 80% of the available farm land and 60% of the earth’s population lives near or in an urban environment so the logical choice for farming is to go up for land where the environment can be controlled and where distribution is local,” NextEnergy News explained.

 

“Las Vegas is seen as the perfect location for this project by Nevada State officials who would like to demonstrate their sustainability and environmental awareness instead of projecting an image of waste and excess.”

 

$200 million may sound like a lot, but the builders anticipate it will bring in just as much cash as a new casino at a projected annual revenue of $40 million and only $6 million in operating expenses.

 
 
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About YSA

A place where creative folks and clients, account people and strategists gather to discuss Live Communications and its singular ability to create deeper, more meaningful relationships between

customers and brands. 

 

So pull up your keyboard and raise a few questions, share some ideas, provide a little inspiration.  Oh, yeah... and get comfortable.  After all, it's your place.

 

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